When I was putting together my debut novella Confession, I spent a lot of time experimenting. The whole purpose of the story was for me to play. I wrote for my enjoyment and, to paraphrase Marie Kondo, if a section or action didn’t spark joy for me as the creator I cut it. Or rewrote it. Confession was born from one need. The need to finish a story. To take a tale from beginning to end and see what there was to see on the journey. Confession isn’t the first story I’ve written. Far from it, but it is the first one I’ve taken through the drafting process to actually finish it. Confession, put simply, is here because I wanted to see if I could do it. And I think I have. Writing the book, I came across three key lessons that will stand me in good stead for future writing projects. I wanted to discuss them briefly here:
The first thing that comes to mind when I think of the film Seek is awkward. The film seems to me to be unsure of what it wants to be when it grows up. Whether this is a scripting issue or an editing issue I’m not certain, but I am certain this 2014 gay film seems to be trying to be too many things, to too many people and ultimately being not all that much to anyone.
Over the past few weeks I’ve been dancing between a couple of different ideas. The first, as written in here recently revolves around writing a Fantasy trilogy, which I hope to have traditionally published so I can walk into the local Dymocks store and curl up on the floor holding my book sobbing and shouting “OMG Yippee!”. The second idea – again discussed in here previously – revolves around writing an eBook and selling it on Amazon.
I like to think the best of people. I really do. I can’t help it. I believe that everyone is entitled to a fair chance, and I refuse to let bullying stand. If I see it anywhere I have to say something. It’s part of my DNA.